TELL ME MNEMOSYNE
German, English, Greek
The film as a personal, essayistic research on the lifetime of a Director of Photography. It questions our remembrance and wonders what remains? Film as conservation: places and their effigies in which past is living on and encounter revives. A portrait without a protagonist, who only comes into existence through images of his past, the places he once visited and through the imagination of the audience who creates a fictional character during the running time of the film.